Loudspeakers

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Hi-Fi Choice  |  May 24, 2019  |  0 comments
This stylish Italian Bluetooth speaker gets put through its paces
Ed Selley  |  Nov 29, 2011  |  0 comments
Arro takes Flight Totem’s super-slim new Arro is a beautifully made speaker. Paul Messenger gets close up and personal with the Canadian rocker Well established Canadian manufacturer Totem takes its name from – and tends to name its models after – elements of that country’s First Nations culture, though quite where Arro comes from remains a little obscure. Perhaps it simply reflects the fact that the speaker itself is unusually straight and slim, albeit devoid of point or flights. Whatever, few serious speakers manage to look more discreet and self-effacing, especially in the highly reflective (and very fashionable) high-gloss black of our review samples.
Ed Selley  |  Dec 23, 2011  |  0 comments
Totem Rainmaker Canadian manufacturer Totem has built a strong reputation with its attractive compact speakers Totem has the rather quaint tradition of naming its models after the country’s First Nations shibboleths, a procedure which is, frankly, rather more imaginative than most rivals manage. The Rainmaker is a compact standmount, loading its bass/mid driver by a reflex-ported enclosure of just nine litres capacity. The shape is a little unusual, rather taller and less deep than most speakers of this size and the construction is strong, linking all the panels with properly mitred joints. Yet it’s also quite light in weight, since mass tends to store energy.
Ed Selley  |  Dec 07, 2010  |  0 comments
The Sttaf of life Clean and simple are the watchwords for this very pretty and unusually compact two-way floorstander, says Paul Messenger Understatement is perhaps the most appropriate word that describes Totem loudspeakers. Whereas most speaker brands tend to promote themselves by highlighting specific technical or engineering features that distinguish themselves from their rivals – the so-called USP (unique selling point) –Totem’s marketing approach has much more to do with emphasising the reproduction of the emotion and soul of the music. Superficially, at least, there’s nothing particularly unusual about the Sttaf. It’s a simple two-way floorstander, based on a 140mm bass/mid driver with a 95mm diameter flared and doped paper cone.
Hi-Fi Choice  |  Jan 26, 2020  |  0 comments
Essential loudspeaker isolation for floorstanders
Hi-Fi Choice  |  Aug 23, 2023  |  0 comments
Triangle’s speaker combines some of its design trademarks with some new thinking
Ed Selley  |  Sep 07, 2011  |  0 comments
Code Red Triangle's new Color range sees a lower price of entry for the French marque. Ed Selley reckons the future’s bright for the popular brand Triangle speakers rarely look anything other than distinctive – it’s a range that usually manages at least one quirky styling feature in any given model. The Color range is the new entry level to Triangle ownership and at this price point, distinctive styling touches are a little harder to achieve. Triangle’s solution is simple enough; the Color is available in three gloss finishes including the eye-catching fire-engine red (pictured).
Hi-Fi Choice  |  Nov 21, 2018  |  0 comments
The genuine materialisation of Triangle’s philosophy”, is how the company describes this substantial floorstander – despite not being the flagship line. Instead, the Australe EZ is the top of the Esprit range, which is two below the top Magellan. You might say it’s ideal if you want the best performance and value mix.
Ed Selley  |  Oct 08, 2010  |  0 comments
Towering strength Triangle's new Lyrr boasts a whole lot of driver tech for just a modest sum. Paul Messenger checks out the finer points of this french fancy Founded some thirty years ago in North East France and one of three major French speaker brands to make a serious impression on the international stage, Triangle’s success is primarily due to its very distinctive drive unit technology. The £3,300 per pair Lyrr is the largest of three stereo pairs in the Genese range, which itself occupies the middle ground between the inexpensive Esprit EX series and the seriously upmarket Magellan range. Both the smaller Genese models, the Quartet floorstander and the Trio standmount, have been reviewed previously in Hi-Fi Choice (HFC 302 and HFC 334), with, it must be said, somewhat mixed results.
Ed Selley  |  Jul 20, 2010  |  0 comments
Triangle Trio - £1, 449 A touch of French class, both in its tasty cabinetwork and the unusual application of a horn-loaded tweeter The most costly member of our test group, Triangle’s Trio is also one of the largest – and the flashiest too, with its curved cabinetwork, the multi-hued part-external horn-loaded tweeter that protrudes above the top panel, and the shiny flared front port. The Trio is the smallest of three stereo pairs that make up Triangle’s mid-market Genese range, designed to take some of features introduced in the upmarket Magellan models, make them available at lower cost and bridge the gap between the Magellans and the vinyl-covered budget Esprit EX models. A generous-sized two-way standmount, based on a 160-millimetre bass/mid driver, this Trio has much in common with Triangle’s more costly Magellan Duetto SW2 (HFC 317). While the deep front panel is high- gloss black, the rest of the enclosure is attractively finished in a real wood veneer, stained to give a mahogany effect.
Hi-Fi Choice  |  May 22, 2019  |  0 comments
Wharfedale looks to redefine the budget standmount with this sleek addition to the D300 series
Hi-Fi Choice  |  Oct 04, 2019  |  0 comments
Almost 40 years old, the Diamond is now Wharfedale’s best-selling range. Listening to the 11.3, it's easy to see why
Hi-Fi Choice  |  Mar 19, 2021  |  0 comments
Wharfedale’s standmount evolves speaker design at the price
Hi-Fi Choice  |  Jan 10, 2020  |  First Published: Jan 09, 2020  |  0 comments
The re-imagined iconic standmount that’s anything but a seventies throwback
Hi-Fi Choice  |  Jun 14, 2016  |  0 comments
Trickle down. An expensive, cutting-edge product lends key aspects of its design and tech to a much more modest, affordably constructed and priced item, raising its performance/price ratio and gifting the brochure copywriter some useful ammo to spin-up a nice little cachet halo. It’s certainly an efficient and logical way of doing business and routine practice for many loudspeaker manufacturers. But with its new premium Reva range, Wharfedale seems to have turned the whole idea on its head.

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