Loudspeakers

A larger standmount, but does size really matter?

The latest high-end design to join the Concept series is a super-stylish standmount

It is hard to believe that it is now over a decade since Q Acoustics first began selling speakers. As a brand developed under the banner of Armour Home Electronics in 2006, it has successfully managed to swiftly migrate from newcomer to become the new benchmark for entry-level speakers (see our Group Test starting on p24). Even when it pushed its designs slightly upmarket with the arrival of its first Concept models in 2014, it delivered speakers that remain some of the best at their price points today. With barely any speaker markets left to conquer under £1,000, it was inevitable that eventually the brand would move more upmarket.

Rega RS7 Rega’s RS7 combines several new developments, in both its tweeter design and its bass loading The RS7 sits at the top end of Rega’s loudspeaker range. First reviewed in these pages during 2009 (HFC 322), the price per pair has increased since then from £1,469 to £1,685 (partly thanks to VAT changes) for the regular cherry or black wood-veneered versions; high-gloss black or white are also available at extra cost. The front view of the sharp-edged enclosure is exceptionally slim, but the RS7 is also unusually deep and quite tall. Fore’n’aft stability is inherently excellent, while moulded outriggers improve the lateral stability and provide reasonably secure spike fixing, though the thumbwheel lock-nuts unfortunately loosen rather readily.

Anyone who thinks of themselves as an audiophile may be more than a little dismayed to see a subwoofer review in these pages, but there’s alot to be gained from integrating a subwoofer into a two-channel hi-fi system that stretches beyond the reach of the majority of traditional loudspeakers. Subwoofers have come a long way in recent times, and with careful integration including a sub in your setup can have benefits on other elements of the sound aside from just extending its low-range performance. REL has been at the top of the subwoofer game since the Welsh company first appeared on the scene with models back in the nineties. It perfectly positioned itself for the home theatre boom, and the growth of the surround sound speaker market, with a range of dedicated subwoofer models that enabled movie fans to unleash multichannel soundtracks in their home.

Roksan Kandy K2 TR-5 - £895 This petite Kandy pitches above its station, thanks to the credentials of its much larger Caspian FR-5 brother Roksan’s fine reputation has been built largely off the back of its fine turntables and electronics, though several interesting loudspeaker designs have also put in an occasional appearance. The fine floorstanding Caspian FR-5 was very well received when it arrived in 2006 and the obvious question for this review is whether this Kandy K2 TR-5 can repeat the same trick. The K2 Kandys are Roksan’s recently introduced and least costly range of components, and while the official price of this TR-5 varies from £895 (high-gloss black) to £945 (the beautifully finished satin rosewood of our samples), substantial discounts are available if other Kandy K2 electronics are purchased at the same time. Besides those two options, the speaker is available in silver, maple and metallic black.

Having focused on conventional Bluetooth speakers in the past, Ruark is now moving into the multi-room realm with new models like the wi-fi-equipped MRx before you. Available with a walnut or soft grey finish, it’s a substantial bookshelf speaker, measuring 300mm wide, 180mm high and 180mm deep when lying flat in ‘landscape’ mode – although there’s a metal stand that also allows you to stand it upright if space is tight.