|  Jan 21, 2015  |  1 comments
What the world needs now – to quote the great Burt Bacharach – is love, sweet love. Well perhaps, but there’s a sizeable number of consumer electronics companies who think this is no longer quite so pressing, and instead we should all be given network music players to play with. So much so that now it feels like you can’t move for the things. Love isn’t all around anymore – as The Troggs once sang – audio streamers are! Krell’s new Connect needs to be special then.
 |  Jan 21, 2015  |  0 comments
And so it goes. The humble Compact Disc player, once a vestigial box with no inputs and a single pairof analogue outputs is increasingly becoming a preamp with a DAC and optical disc transport built in. Gone are the days when it was seen as an end in itself, now it is to all intents and purposes a digital music centre. Creek’s new Evolution 50CD silver disc spinner is precisely this, and costing under £1,000, is being positioned to take on the market leader, Audiolab’s 8200CD.
 |  Jan 21, 2015  |  0 comments
While two-channel audio has been staging something of a fight back of late, the bulk of new product has come from existing manufacturers returning to the category, while new arrivals have tended to be at slightly higher price points than ones we would define as entry level. This makes the duo you see here especially interesting. Not only is Vieta Audio returning to the UK after sufficiently long a period of time that it is new for many people (me included), but the products it is returning with are at the affordable end of the market. The range arriving in the UK is an extensive one.
 |  Jan 21, 2015  |  0 comments
There’s more to life than hi-fi you know, and indeed many consumers are beginning to think the less of it you have, the better. This is heretical stuff to those who grew up during the seventies and eighties, when we were taught that if it didn’t come in umpteen separate boxes, it simply couldn’t be any good. Now, though, suddenly there are all sorts of possibilities presenting themselves. The most obvious example of this is the DAC/preamp.
 |  Jan 21, 2015  |  0 comments
Floorstanding loudspeakers are hugely popular right now, with seemingly more models vying for our attention on a daily basis. It’s a competitive market that has been growing consistently stronger sincefloorstanders first grabbed our attention back in the nineties. Their popularity is a win-win for music fans as the wealth of models means quality is high and prices competitive. It’s fair to say that American loudspeaker companies are often viewed with slightly raised eyebrows in the UK, but here JBL follows more elegant speaker designs rather than the muscular monitors it is better known for.
 |  Jan 21, 2015  |  0 comments
The concept is clear – to make a good speaker great. There are several ways of doing this, the obvious one being to spend large amounts of money on the drive units. A fancy ribbon tweeter here or some expensive carbon fibre mid/bass drivers there, perchance? The other way is to work on the cabinet, and if you think about it, this is even more critical than the drivers, which can’t do their best if they’re spoiled by boomy boxes. In a way, cabinets can do no right, as all they can do is lower the performance potential of drive units by accentuating standing waves – smudging and blurring the sound from inside.
 |  Jan 19, 2015  |  0 comments
Music centres combining record deck, cassette recorder and tuner were big business back in the late seventies through to the early eighties, with fans keen to enjoy music at home on all the main analogue formats of the day. Today in the mostly digital era the idea of the ‘one box does it all’ approach goes against serious audiophile thinking, with the general consensus being that dedicated components being assigned to specific tasks is the best way to guarantee pure, interference-free playback of your music collection. With the world of audio moving towards streaming and downloads, we’re told that the desire for physical digital media (CDs) is falling rapidly. So, what to do with that sizeable CD collection and how best to migrate to streaming are regular questions being asked by music fans looking to move with the times to a less tangible music playback system.
 |  Jan 19, 2015  |  0 comments
Why is it that some steaks taste like sun-dried cardboard, while others are dripping with flavour and have the texture of warm butter? It’s not that difficult a question to answer, is it? The finest food needs ingredients of the best quality, prepared in a skillful way that doesn’t hide the natural goodness. And so it goes for loudspeakers too – no one ever made a great one with sub-par drive units and cabinets that weren’t fit for purpose. But just like steak, even a good speaker can be ruined if it isn’t cooked properly, or is badly served. Of course, if it doesn’t use the right raw materials in the first place, it can never be right.
 |  Jan 19, 2015  |  0 comments
Hart Audio may not be a household name but David Hart’s Isle of Wight-based business has a refreshing approach to audio design and high-quality UK manufacturing, as well as a growing number of passionate customers appreciating service and bespoke production. Hart Audio sells its speakers direct in the UK so you won’t find its speakers at your local hi-fi dealer. The new incarnation of the imposing EVO1 commands attention even when it’s silent. Two large, understated enclosures per channel, each boasting a purposeful 12in driver hints that you’re about to hear something different.
 |  Jan 19, 2015  |  0 comments
Look who’s back. And with a new range of dedicated separates aimed at bringing hi-res to the audiophile masses, it clearly means business. Given that Sony is the company that co-created CD’s original Red Book standard and put the ‘S’ in S/PDIF, it’s safe to assume that its new products will be based on a legacy of digital audio development. This new range is also sensibly streamlined, with a handful of carefully considered separates spread across distinct product categories.

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